■唐代方形四瑞兽葡萄镜

â– Tang Dynasty square four Swiss beast grape mirror

■唐代七瑞兽葡萄镜

â– Tang Dynasty Qirui Beast Grape Mirror

A friend who saw the movie "Assassin Nie Yinniang" asked me: What kind of person is the Jingjing people in the Tang Dynasty?

Some people even more directly ask: Is the life of the mirror the same as today's express delivery, no technical requirements?

To say that the mirror is polished, let's talk about the mirror first. The history of Chinese bronze mirror can be divided into the initial period (Qijia culture and Shangzhou), the epidemic period (Spring and Autumn Warring States), the prosperous (Han Dynasty), the middle decay (Three Kingdoms, Jin, Wei, Northern and Southern Dynasties), prosperity (Sui and Tang Dynasties), decline (five generations) , Ten countries, Song, Jin, Yuan) and other stages. From the aspects of popularity, casting technology, artistic style and its achievements, the Warring States, the Han Dynasty and the Tang Dynasty are the three most important development periods.

Copper is a very expensive material in the early days of casting, and mirrors are not necessary to maintain life, so the amount of casting is very small. After the Warring States period, iron weapons appeared and replaced copper weapons. There were extra copper materials that could be used to cast mirrors, and the number was increased. The large bronze mirror should be placed on the wooden frame. In the two generations of the Ming and Qing Dynasties, we can see the scene of the mirror dressing. A small mirror is available for carrying the crush. I saw a miniature bronze mirror of the Tang Dynasty in a Tibetan friend. It was shaped like a maple leaf with a diameter of no more than 4 centimeters. The design thought and fashion spirit far surpassed LV, which is amazing.

The Bronze Mirror Art to Nie Yinniang’s Tang Dynasty is in a prosperous situation. The national strength is strong, the market is prosperous, the requirements of the nobility and the public are constantly improving, the workshop is also willing to use materials, the mirror is thick, the edges are thick, and the outline shape breaks the old format of the former dynasty, and the octagonal, eight-arc, and square corners appear. Such as fancy, the back pattern is often expressed by deep relief, partial openwork, gold and silver flat, roman inlay, enamel gold and silver, painted and embedded, such as sea animal grape mirror, looks like the cream on the cake. Layers of land show a sense of local tyrants. It also incorporates foreign cultural elements such as lion mirrors, knights playing Polo spheres, flying gamma mirrors, and black Kunlun dance mirrors.

What is quite different from the bronze mirrors of the Han Dynasty is the "black lacquer ancient". In the Tang Dynasty, the composition of silver tin in the bronze mirror increased, the color was white as silver, and the person called "mercury ancient".

The bronze mirror is generally round, with a smooth front surface and a button on the back for easy access. "Grinding and smooth", isn't it a mirror? Therefore, the practice of grinding mirrors came into being, because in the downstream of the industrial chain, the status of the grinding mirror can not exceed the model and the cast mirror, and it is even more impossible to exceed the design of the artist.

Like the teenager in the "Nie Yin Niang", "but can quench the mirror, no more he can", martial arts is not as good as Mei Jiao Niang is his soft underbelly, but the shape can be closer to a bronze mirror with a scallion cake Grinding to the best state of "Emei can be seen", can maximize the reflection of the beauty of the face, almost as a moment of skill. In ancient books or legendary novels, the description of the Grinding Man is almost zero. Thank you, Director Hou Ye. He made us sensibly see a "come from Dongpu to Middle-earth, like the six-color lottery." Grinding the mirror."

It is difficult to grind the mirror. It is difficult to grind the mirror to the extent that the light can be judged. It is more difficult to grind a certain degree of convexity, so that a mirror can reflect a larger information than the actual image. This principle is like a car's mirror, and the proper convexity can expand the field of view. The smaller the mirror, the greater the crown. Of course, the excessively exaggerated convexity will also make the face distorted, the face is large, the nose is large, the forehead is low, and the mouth is flat. But at that time, it was quite good to be able to draw the eyebrows clearly and put the flowers on the forehead in place.

Therefore, the grinding mirror person needs to grind a certain mirror to a certain degree of convexity, which requires skill and experience.

Let me talk about how to polish the bronze mirror by the tool. There are no grinding wheels and sandpaper in ancient times. Is it necessary to grind on stone? According to Shen Congwen's research, at the beginning, the fine hair was used to rub the mirror and the mirror surface was reflected. After the Western Han Dynasty, it was made of mercury and tin powder. The work was dirty, and the mercury and tin powder were poisonous. If you don't get the dust, you can drill into the nostrils of the mirror. I think that Nie Yinniang’s husband is making money without any labor and defense measures. When she goes home, she will pollute Meijiao Niang. She really wants to cry for her.

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