**Milan to Paris: A 10-Day Fashion Journey with MoniqueChan** Milan, the city of men, and Paris, the romantic capital—ten days in two fashion capitals, filled with intense travel, hilarious, talented people like @TangFrostTS, @YaohuiSurface, @DanCui, @Serena, @xanzhou, @JeffLi, and @solidfruit. From local food and wine to diverse personalities, it was a whirlwind of style and culture. MoniqueChan: Milan is lazy but refined. Jet lag hasn't fully settled yet, but we're already rushing to the major shows. The city is packed with trendy and stylish people. Even flower stalls and street vendors dress like "smart" or Bob Marley. It's fascinating how everyone looks effortlessly cool. MoniqueChan: Milan's traffic isn't very convenient, but once you get the rules, you realize Italians aren't as lazy as they seem. For example, taxis must be hailed at specific spots and arrive within a set time. Drivers are always friendly and welcoming. I even met a few well-dressed, gray-haired older drivers. If you want to catch every show, the free shuttle bus for press is your best bet. MoniqueChan: Before each show, the front of the venue is buzzing with fashion elites. Anna Dello Russo from Japan’s Vogue and Anna Piaggi from Italian Vogue were there. Even Chinese media folks dressed up and joined the conversation. We talked about trends, ideas, and had deep, meaningful exchanges that were full of inspiration. MoniqueChan: As the shows unfolded, we explored some amazing architecture in Milan. The Moncler show stood out. Amid the crowd, we found a suburban farmhouse setting, then walked into an unexpected open field where the show took place. Horses, models, and chic down jackets created a dramatic and unforgettable scene. MoniqueChan: Autumn/Winter collections showcased bold new male styles. Zegna mixed digital visuals with live performances, and their runway even featured elements like the “Qingming Riverside” and the Great Wall—like a trip between Shanghai’s waves and Tuscan sunshine. Prada’s menswear embraced vibrant colors, breaking away from the usual black-and-white palette. Jil Sander and Bottega Veneta also played with color in fresh ways. MoniqueChan: Gucci drew inspiration from 70s Glam Rock and Funky Playboy, reinterpreting fur, bell-bottoms, and retro elements with a more refined Italian luxury touch. Paris: Dreamy, surreal, and full of color. Tang Frost TS, the founder of Purple Magazine, caught my eye—mid-40s, wearing a shamrock orange jacket and sunglasses, with a wild look. He said, “All men who dress up are not gay.” He’s the epitome of a French hippie intellectual, known for his love of women and his iconic photos in Purple. MoniqueChan: Waiting for a taxi outside the Louis Vuitton show, we ducked into a nearby café to escape the cold. Suddenly, Tang Frost TS screamed, “God, you’re Olivier Zahm?!” Sure enough, there he was—still in tinted glasses, leather jacket, and moving between tables. He was on his way back to the office to continue his photography. MoniqueChan: Olivier Zahm invited us to a mysterious bar. We wandered around with a group of weird and interesting fashion creators. Sun Ruixiang, a Chinese designer, showed up. With a leather jacket, skull rings, and a silver waist chain, he looked like a rockstar. When asked, he said, “I’m a rock and roll youth.” MoniqueChan: Sun Ruixiang warned us that Paris is romantic but dangerous—people get robbed in the metro. He joked about buying a gun. Later, we bumped into British designer Gareth Pugh at a party. He sat on stage, chatting with friends. I recognized him by his iconic black eyeliner and slim frame. Like his Gothic style, he wasn’t talkative, just greeted us and left with his blonde partner.

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