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**Milan to Paris: A Ten-Day Fashion Journey with MoniqueChan**
From Milan to Paris in just ten days—intense, fast-paced, and full of unforgettable moments. Along the way, I met a bunch of talented and humorous people: @TangFrostTS, @YaohuiSurface, @DanCui, @Serena, @xanzhou, @JeffLi, @solidfruit, and many more. Each had their own style, personality, and story. From local cuisine to wine, from street fashion to high-end shows, it was a whirlwind of culture and creativity.
Milan is a city of men—stylish, confident, and full of energy. Paris, on the other hand, is the romantic capital, where everything feels dreamy and poetic. Even though I was still dealing with jet lag, we were already rushing to the big shows. The streets were packed with trendy people—flower stalls looked like art installations, and street vendors dressed like they were straight out of a Bob Marley album.
Transportation in Milan isn’t always convenient, but once you get the hang of it, you realize Italians aren’t as lazy as they seem. Taxis, for example, must be called at specific spots and arrive within a set time. The drivers are usually friendly, and some even wear suits and have gray hair. If you want to catch every show, the free shuttle buses for the press are your best bet.
Before each show, the crowd outside was a mix of fashion elites—people like Anna Dello Russo from Japan’s Vogue and Anna Piaggi from Italian Vogue. It was exciting to see Chinese media members also dressing up and engaging in deep conversations about fashion, trends, and creative ideas. The energy was electric.
As the shows unfolded, we also got to explore some fascinating architecture. The Moncler show was particularly surprising—it took place in an unexpected location, like a suburban farmhouse turned into a sand-filled field. The contrast between the rugged environment and the elegant down jackets created a dramatic atmosphere.
Zegna’s collection this season blended digital visuals with live models, featuring elements like the "Qingming Riverside" and the Great Wall, making it feel like a bridge between Shanghai and Tuscany. Prada continued its futuristic aesthetic, but this time with vibrant colors that broke away from the usual monochrome palette. Jil Sander and Bottega Veneta also embraced bold color schemes, while Gucci drew inspiration from 1970s Glam Rock and Funky Playboy, reinterpreting retro styles with a refined Italian touch.
In Paris, everything felt surreal. The fashion encounters were filled with vivid colors and unique expressions. Tang Frost TS, the founder of Purple Magazine, stood out in a shamrock orange jacket and sunglasses. He joked, “All men who dress well are not gay.†His presence reminded me of the French hippie intellectual vibe.
At a café near the Louis Vuitton show, Tang suddenly shouted, “God, you’re Olivier Zahm?!†Sure enough, there he was—wearing tinted glasses and a black leather jacket, moving between tables like a true artist. Later, we were invited to a mysterious bar where we met Sun Ruixiang, a rock-and-roll type with skull rings and a silver waist chain. He proudly said, “I’m a rock and roll youth.†He warned us that Paris is romantic but dangerous—some people get robbed in the metro, and he joked about buying a gun.
We also crossed paths with British designer Gareth Pugh, who was sitting on the party stage chatting with friends. I recognized him by his iconic black eyeliner and slim frame. Like his gothic style, he wasn’t very talkative, just greeted us and left with his blonde partner.
This journey through Milan and Paris was more than just fashion—it was a celebration of culture, creativity, and connection. Every moment was unforgettable.
October 12, 2025